<img src="https://sb.scorecardresearch.com/p?c1=2&amp;c2=36750692&amp;cv=3.6.0&amp;cj=1"> George Clooney Reuniting With a Fellow Mega-Star for a Savagely Average Action Comedy Somehow Becomes the Streaming Alpha
Something went wrong. Try again, or if the problem persists.
Your details are incorrect, or aren't in our system yet. Please try again, or sign up if you're new here.
This site is protected by reCAPTCHA and the Google and of Service apply.
Create a GAMURS
By g up, you agree to our and of Service.
Something went wrong. Try again, or if the problem persists.
This site is protected by reCAPTCHA and the Google and of Service apply.
Choose a name
Choose a unique name using 3-30 alphanumeric characters.
Something went wrong. Try again, or if the problem persists.
This site is protected by reCAPTCHA and the Google and of Service apply.
Choose your preferences
Choose how we communicate with you, opt out at anytime.
Something went wrong. Try again, or if the problem persists.
Check your email
An confirmation link was sent to your email. Don't forget to check your spam!
Enter the email address you used when you ed and we'll send you instructions to reset your .
If you used Apple or Google to create your , this process will create a for your existing .
This site is protected by reCAPTCHA and the Google and of Service apply.
Reset instructions sent. If you have an with us, you will receive an email within a few minutes.
Something went wrong. Try again or if the problem persists.
Image via Apple TV Plus

George Clooney reuniting with a fellow mega-star for a savagely average action comedy somehow becomes the streaming alpha

It's more the movie that stars in the actors, really.

In the conversation about film, a picture’s prestige as a piece of art should be the foremost talking point. What ideas does it deal with? How do all the collaborators approach the work? What are the nuances of the storytelling engine? Are they traditionally robust and efficient, or adventurous in a way that pays off?

Recommended Videos

All much more engaging questions than how it performs from a box office or streaming chart perspective. for quite a while now.

Now imagine topping a streaming chart — an accomplishment that, given the volatility of viewers’ attention, carries the same weight as spelling your name correctly on your resume — which consists of the same 10-15 movies for most of the year, all while being buoyed by your star power and status as a brand-new movie. I speak, of course, of Wolfs.

Image via Apple TV Plus

Per FlixPatrol, the unceremonious reunion of George Clooney and Brad Pitt — an alliance about as famous as the individuals themselves — has been enjoying a lofty lead at the top of the Apple TV Plus Top 10 film rankings. The caveat to this, of course, is that Apple TV Plus only counts its in-house productions as chart competitors, which number 34 at the time of writing, meaning nearly a third of the platform’s entire library is going to make this list. In other words, no s*** Wolfs is at the top of the charts right now — it’s the new rich kid on a minuscule playground.

The other main caveat to this accomplishment is that Wolfs simply isn’t a great film. There are, of course, far worse positions to be in than a 68% critic approval rating on Rotten Tomatoes, but Wolfs doesn’t make much of a secret that its raison d’etre is to let Clooney and Pitt riff on one another like it’s the aughts again. To its credit, that specific exercise works pretty well, but when it comes to the creative food chain, narrative deadweight reigns supreme, and the biome of Wolfs is no exception.

So if you’re turning to Apple TV Plus for movie night, your best bet might not be the popular choice. Indeed, for some of the best the platform has to offer, you’ll have far more luck peering outside of the Top 10, where the likes of CODA, Tetris, Swan Song, Fingernails, Fancy Dance, and Wolfwalkers all reside.


We Got This Covered is ed by our audience. When you purchase through links on our site, we may earn a small commission. Learn more about our Policy
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.